Kimberly Thomas is a biracial interdisciplinary sculptor and flameworker. She is a current artist in residence at Penland School of Crafts in Bakersville, NC. and is known for her work’s intentionally flawed and unusual motifs as well as her intricate sculptural inventions. A self-taught glass artist, Thomas earned a BFA in Ceramics from the Rhode Island School of Design and spent six years as a special effects make-up artist before she began flameworking in 2009.

Artist Kimberly Thomas is wearing a hat and sunglasses seen at her glass blowing torch. Her face is lit with the flame of the torch and she is focusing on the work that she is holding to melt in the flame.

Thomas’s work is often autobiographical and conveys her unique perception of the world. Drawing her influence from concepts, questions, and theories about human nature, she combines realism and fantasy. She imparts her truth into dark, yet entertaining, narratives. Recurring themes in her work include the undesirable facets of life and human nature, freedom from the corruption imposed by society, and expansion of self-knowledge. Thomas challenges viewers to face what makes them uncomfortable in order to invite opportunities for fresh perspectives and personal development. 
Using intuition as a guide, Thomas’s creative process is a balancing act between experimentation and intention. She uses borosilicate glass as a core medium as well as steel, wood, and other mixed media to create her kinetic, sculptural inventions. Her attention to detail and regard for realism contribute to the intensity and sophistication of each piece.
Thomas is a prolific artist who is dedicated to her professional and creative growth. In addition to working in her studio, Thomas exhibits her work in museums and galleries across the United States. She was selected for Pilchuck’s 2021 Emerging Artists in Residence Program and has participated in residencies at both Tacoma Museum of Glass and the Chrysler Museum. Her work has been acquired by the Imagine Museum St. Petersburg FL. She is a former professor at Salem Community College in NJ. and serves on the board of directors for the Glass Art Society and is chairperson for their IDEA (Inclusion Diversity Equity & Accessibility) committee.

A brick-colored multi-piece glass sculpture by artist Kimberly Thomas against an out-of-focus wood background.

Artist Statement

My narrative works are sculptural illustrations of a re-imagined world, fabrications of obscure inventions, alternate realities, and speculative futures. The stories describe a pilgrimage through time, space and dimensions.  My works are a ground to explore the truth, be it flawed, darkly humorous or peculiar, yet they speak to the stark realities of human existence. They are a mechanism through which I challenge ingrained perspectives, question the status quo, dismantle false perceptions, and confront harsh circumstances.
As a bi-racial artist I delve into challenging concepts as a means of negotiating my own experience within the world. These miniature, anecdotal objects are metaphorical landscapes cluttered with heaping piles of devastated remnants from the modern world or rickety, makeshift flying contraptions suspended by clouds. They represent human nature and the undesirable facets of life such as our ties to materialism and corruption imposed by society. They are a means through which I reveal the consequences of existing in a world deeply interwoven with structural oppressors – a world where self-knowledge is the source of redemption, autonomy, and preservation. These ruins of material realms are portrayals of the lessons learned through my earthly experience. 
Creating these worlds lifts the diaphanous veil between the temporal reality and my higher self. Visual and metaphorical opacity becomes the vehicle through which I convey awakened perspectives.  I integrate the opposing themes of the corporeal and ethereal worlds through my complex sculptural vignettes, creating narratives of cognizance, innovation, and acceptance.  I veer away from transparency and invent materializations of my own enlightenment: I self-reflect and in turn compel viewers to do the same. These works are a view into a world that I call my own. 

Press & Publications

  • The UrbanGlass Quarterly

    Ticket to Ride
    Written by Kinshasa Peterson
    Spring 2024, Issue 174, p 38-45

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  • GASnews

    Success and Its Impact on the Future of Functional Glass
    Written by Kimberly Thomas
    Spring 2023, p 13-15

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  • Glass Art Magazine

    Kimberly Thomas - Sharing Life Lessons and Spiritual Messages
    Written by Kathleen Elliot
    July/ August 2023, Volume 38, Issue 4, page 24-28

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  • New Glass Review

    The Corning Museum of Glass
    New Glass Review 43, 2023
    Juror / Writer

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  • New Glass Review

    The Corning Museum of Glass
    New Glass Review, 42, 2022

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  • Museum of Arts and Design

    What Can You Do With Glass?
    Film by Samantha De Tillio,
    2022

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  • Hour Detroit Magazine

    Mind Blowing
    Written by Hooper, Ryan Patrick
    March 2021, p 45 & 47

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  • New Glass Review

    The Corning Museum of Glass
    New Glass Review 38, 2017, p 51

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  • Glas

    Kimberly Thomas
    Krista Israel
    December 2023 p.54-57